Post Tagged with: "Maqām Beyond Nation"
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Wind of Saba: A Creative Collaboration
Ozan Baysal (bağlama) and Shohret Nur (dutar) Performance, Wind of Saba, August 13, 2024. Ozan Baysal has performed bağlama, including regional folk and Alevi traditions, since a young age. He studied institutional approaches to Turkish makam alongside jazz and classical music, and completed a PhD on bağlama şelpe (tapping) techniques at the Istanbul Technical University, MIAM. He was a visiting scholar at SOAS between 2021 and 2023. Shohret Nur was […]
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Strand 1: Maqām across the Soviet-Chinese divide
Rachel Harris, Giovanni De Zorzi, Mukaddas Mijit This strand aims at “unbordering” Central Asian maqām repertoires across the former Soviet-Chinese divide. It focuses on repertoires canonised in the twentieth century as the separate Uzbek and Tajik Shashmaqām, and the Uyghur Twelve Muqam, and also less recognised regional maqām traditions from Khorezm, Ferghana and Turpan. Since the mid-twentieth century these repertoires have been extensively nationalised, and the overwhelming thrust of scholarship, […]
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Project Strands
MAQĀM BEYOND NATION is designed in the form of six interlinked research strands based in different contact zones across the maqām world. Strand 1: Maqām across the Soviet-Chinese divide Rachel Harris, Giovanni De Zorzi, Mukaddas Mijit This strand aims at “unbordering” Central Asian maqām repertoires across the former Soviet-Chinese divide. It focuses on repertoires canonised in the twentieth century as the separate Uzbek and Tajik Shashmaqām, and the Uyghur Twelve […]
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Maqām Beyond Nation
Maqām Beyond Nation explores a field of music-making that stretches from North Africa to Central Asia; a set of historically fluid and inter-connected creative practices which were transformed under 20th century nationalisms into fixed repertoires. The project seeks to understand the major changes which are now weakening these nationalist models. We attend to the musical materials and their potential for new creativity, and to the social: how a focus on expressive culture […]